It Has To Be Fuji

Well folks, I have finally made up my mind. Fuji or Nikon, there can be only one (not really; I have done both for the past 8 months, but we need to make this as dramatic as possible to retain your interest for a few more minutes).

Having the X-H2 in my grubby little paws for the past week and half, all I can say is, wow! Did NOT expect to love it as much as I do, but here we are. The thing I thought I loved about the Fuji X system was the retro styling, and as a side benefit, the dials on top were / are an excellent learning tool for someone attempting to master the craft of camera photography at a more involved level.

This and all images in this post shot with iPhone 14 Pro Max unless otherwise attributed

Now that I get it though, I don’t need to be able to see and rotate the dials on the top to achieve my desired results. And something else that I knew but didn’t fully realize about the X-H2 was how incredibly useful the LCD on the top is.

It is always on (pretty sure you can turn it off in settings, but I love that is always on and it doesn’t affect the battery to an extent that affects my usage), and it is actually easier to check everything at an effortless glance than studying the teeny tiny numbers on top of the dials of the X-T-whatever (I have the X-T20 and the X-T3). And if I want to change any of them, then yes, the dials take less thought, but it is quite easy on the X-H2 as well. You can either roll the front or rear dial, depending on which setting you are changing, or just quickly hit the Menu and do something like this: go to the Camera icon, scroll down to ISO (I often have ISO set automatically) and change it there to whatever you like – OR, you can set the ISO to Auto1, Auto2, or Auto3, where you can have presets (for instance, Default Sensitivity of 125, Max . Sensitivity of 3200, and Min. Shutter Speed of Auto). You can set those 3 Autos to whatever you like, then quickly select whichever one suits your current purpose.

This is not to convince you, dear reader, of the merits of modern or retro styling. To each their own. It is simply to say that for me, with two feet already in Camp Fuji from May 2018 through May 2023, then one (maybe one and a half) in Fort Nikon for the past 8 months, the time has come to fully commit. And with Nikon gear-selling quote from MPB firmly in hand, I will be selling off the Z6 II, the 24-120 S f/4, and the Tamron 70-300.

Surprisingly, going off of strictly memory of past quotes from MPB, I’m pretty sure the Z6 II has gone down by a hundred bucks or so, while the 24-120 lens has actually gone up from last time I checked. This does make logical sense though, if one were to ascribe it to the new Nikon ZF’s arrival on the scene last year driving down the price of older cameras while increasing demand for better glass by those who have purchased the latest and greatest camera offering. It is Nikon’s attempt to more fully engage with the retro phenomenon so thoroughly dominated by Fuji, complete with top dials, and is by all accounts a major success for them, both in terms of sales as well as being a winner of a photo and video maker.

Courtesy of DP Review

Don’t think I haven’t been tempted! Indeed I have, particularly for the much-improved autofocusing capabilities that vault it not only beyond the Z6 II (which is not the greatest, but plenty good for my usage) but also beyond the Fujifilm X-H2 that I have added to the stable. I had been even more tempted by the soon-to-be-announced Z6 III though, whose ergonomics I would prefer over the new ZF; additionally, the Z6 III should be a purely technological advancement, rather than a styling + [some] technology leap forward, but I know that it will cost a fair bit more than what I am looking at spending, and that I would likely not be able to justify that kind of pricey upgrade from the Z6 II for quite some time.

That’s not what made my decision though; in fact, it really wasn’t much of a consideration at all. The simple fact of the matter is something that I have known about myself for going on 6 years now: I am a Fuji man. I just love their stuff. I love how metal and solid it feels. I love how much image quality they pack into their bodies and (I suppose more importantly for me) lenses. I love their kaizen philosophy and practice, literally improving products that you already own via free software updates that actually make a difference in the thing. And the familiarity that I have with operating their system means something, has value. I’m all in.

Listen, you can’t go wrong with Nikon. You can’t go wrong with Sony, or Canon, or Panasonic. These cameras and lenses take impossibly fantastic images with incredibly little effort, and if you are inclined to really work on your craft, learn about light, composition, focal lengths, compression; familiarize yourself with all of the buttons and dials and switches and menus; get out to amazing places, or simply out on the street or over to the park – it just levels up from there. I am still on that path, taking that journey, and enjoying it beyond any reasonable right to such things. Fortunately, Fujifilm is right there with me, every step of the way.

Courtesy of Fujifilm / Tom Hegen

Golden Hour in Fort Worth

Fuji X-T3, Fuji 35mm f/2 lens

Downtown Fort Worth is pretty perfect for a late afternoon photo walk. I’ve done quite a few over the years, often (but not always) testing or comparing different cameras or lenses. A few days ago, for instance, as the media spent the entire week boosting their ratings by scaring us all into believing that life as we know it was once again about to cease due to an impending weather disaster, it was 70 degrees here, deep blue skies, crystal clear and windless. A better day for meandering around the stately courthouse, the serene Trinity River along whose banks the original Camp Worth was located, and the outskirts of Sundance Square with a couple of cameras dangling from one’s body simply could not be asked for. This was an afternoon for shooting some of my tried and true favorites illuminated by the setting western sun, shadows and sidelight in full effect.

New-to-me locales are my usual preference when it comes to photo walks, but there are decided advantages to hitting certain places over and over, provided they are photogenic enough to merit it. Case in point: the photo at the top of this post. When I drove by the Bass Performance Hall around 4:30pm, the famous angels were in complete shadow. This is downtown after all, and despite the fact that sunset was a little over an hour in the future, the long shadows were already cast. I knew from my summer shooting, however, that the shadows move as the sun sends its rays out into the solar system, creating shafts of light that find their way in between some of the buildings. It changes drastically over the course of a few minutes, so I made a point to walk over to check on things after about 30-40 minutes over by the courthouse and the river behind it and lo and behold, there it was! The angels and their trumpets blaring with a solar spotlight highlighting their magnificence.

Fuji X-T20, Rokinon 12mm f/2 manual lens, June 2018

Getting back to the difference that is made by not only the time of day, but also the time of year, let’s look at the shot above. This was taken 5 and half years ago, soon after settling on the X-T20 as my first official foray into mirrorless. I had tried out a few others, including the Canon M50 (new at the time, and a year newer than the X-T20), but it felt so flimsy and plastic-y compared to the rock-solid, Made In Japan X-T20. And the quality of the lenses in my price range were simply no comparison. The 18-55mm variable aperture kit lens with the Fuji was jaw-droppingly good, and I had also picked up a very reasonably priced manual lens, still to this day the only manual I have ever owned: the Rokinon 12mm f/2. When I tried my hand at being a “real” photographer for a few hours, heading to the Trinity that snaked through Fort Worth and Dallas with a camera, a couple of lenses, and a tripod, this was the shot that I loved most. A few years later, this same camera+lens+tripod combo produced my best astrophotography session (not that there have been that many), but that is an adventure for another post.

Nikon Z6 II, Nikon 24-120 f/4 lens, January 2024

The above was taken this past week. Exact same concrete platform overlooking the river from which the June 2018 image was created. This one was handheld though, as it was immediately obvious that where the sun was setting was not going to give me the image I wanted. Not at all surprising, by the way; I did come prepared with the tripod just in case, but fully expected the tilt of the earth to be wholly uncooperative at this time of year, based on my vantage point.

That is probably enough blathering on about time of day, time of year, sun and shadow. Another part of the beauty of downtown Fort Worth is how compact everything is. Total time from exiting the highway, including driving through downtown, parking, walking, and getting back onto the highway after leaving, was roughly 4:30pm to 5:45pm on a weekday. Try doing THAT in most big(ish) city downtowns!

Here are a few more shots from last week’s walk (everything in this post, with the exception of the June 2018 image of the Trinity at sunset, are with the Nikon Z6 II + 24-120mm f/4 or the Fuji X-T3 + 35mm f/2, straight out of camera JPG; the last 2 of the radio station give you an idea of which is which, and it should be fairly obvious for the ones that are not labeled):

Nikon

Fuji

Less Than 30 Seconds In

Decades after typing on my first PC keyboards, I finally have that same keyboard experience on this Keychron V6 full size mechanical keyboard (with numeric pad, of course). The sheer exhilaration of everything rushing back at once, going back to 1981/82 when I got on an old TRS-80 my dad had picked up from someone, followed by my own Commodore 64 as a Christmas gift, then an IBM PCjr, and eventually my own PC clone when I headed off to the University of Texas in 1988, is not describable with words.

Firing off a text to my dad and best friend/brother-in-law was the first actual intentional typing of full words and sentences, sharing something I had just read about the Texas football coach staying at Texas instead of returning to Bama (which was no surprise – why would anyone ever voluntarily leave Austin as the head of the Longhorn football program?). The experience was magnificent. The feel, the SOUND, the hand position, all perfect. Perfect in a way that I knew could never truly be realized, even though all of my reading about mechanical keyboards over the years forced me to perpetually dream that impossible dream.

Then, just as suddenly, a voice from somewhere in the immediate vicinity spoke. “What is THAT? Oh, no, we are not doing that. Are you serious?” My beautiful, loving wife, the back of whose monitor you see in the image at the top of this post, is not a fan of the sound. Within roughly 30 seconds of pulling the unexpectedly heavy (making it all the more satisfying) keyboard out of its styrofoam-cushioned box and plugging it into the USB-C port on the iPad Pro 12.9 M1 where it was automatically and instantly recognized and enabled, I experienced the full reaction gamut of mechanical keyboard aficionados everywhere: “YES! I have FOUND the thing that has been been missing from my life, and all is now complete!” coupled with an immediate and severe rejection of the soothing clickety-clack on offer from the Brown switches housed within.

For now, I type on, as Sandy works silently across from me. Or is she? Where is her proof? She cannot be seen, other than a disembodied hand on the mouse. There is no noise emanating from her keyboard as her ghostly hands occasionally glide across her keyboard while she mutters something quietly to herself (why would she do that, other than for auditory reinforcement of her own apparently self-doubted existence?) Whereas I have that glorious audible evidence of not only my physical presence, but also the very work that is being produced. Something’s gotta give, and I fear I know what that will inevitably be. Thoughts and prayers are welcome, for me and my Keychron.

Fuji or Nikon – or Both?

Shot with Z6 II and Nikkor Z 24-120mm f/4

Without going too far into the image by image, blow by blow of how we got here, I find myself immersed in both the Fuji X and the Nikon Z systems. This is a journey that started over 10 years ago with a Nikon DSLR kit from Costco, then 5 years later a heavily researched upgrade to mirrorless APS-C in May 2018 (commencing with a Fuji X-T20 and 18-55 kit), followed 5 years after that in May 2023 with a painstakingly detailed hands on trial of both the Fuji X-T5 and a Nikon Z6 II full frame mirrorless with the 24-70 F4 S kit (which I actually returned in favor of the more expensive, razor sharp, extraordinarily versatile “one lens to rule them all” 24-120 F4 S that was on sale for a couple hundred dollars off).

In the meantime, I had added to my Fuji kit back in summer 2022 with a used X-T3, a new 23mm F1.4 (the latest version, not the old one), and prior to that had added a manual Rokinon 12mm F2 and a used XF 55-200 variable aperture (which, if I’m being honest, almost single-handedly keeps Fuji in the discussion as I have gone back and forth between selling off all of my Fuji kit or keeping it). I also added a used XF 35mm F2 back in early 2022, before I got the used X-T3.

So if you’re still with me, you very likely know something about the Fuji X system, either from direct experience or interest/fascination from afar. It is, for me, a system no less capable of eliciting fan loyalty than anything from Apple or Tesla, whether merited or not. In the case of what Fuji has produced over the course of their X line of APS-C cameras and lenses, it is absolutely deserved. Which is exactly my problem.

You see, the thing is, it is not legitimately arguable that the full frame Nikon Z system, with the cameras and glass produced by Nikon, is capable of “better” image quality than Fuji’s or anyone else’s APS-C systems. It’s simple physics: bigger sensors and bigger glass = more light to work with, and coupled with Nikon’s decades of optics expertise, better image potential. And I do see that in practice, along with the equally indisputable autofocus speed and accuracy advantage of the Nikon Z full frame system over the Fuji X APS-C system. It is just noticeably easier and faster to get a good, sometimes very good, shot. And much more difficult to miss a shot entirely due to low light or being out of focus. Even the F4 zoom lens is phenomenal in less than ideal conditions. Not to mention my recent trial of 2 non-S Nikon Z lenses, the 28mm 2.8 and the 40mm F2, which are flat out RIDICULOUS in terms of their performance regardless of available light, be it low or ample.

What I had hoped to find with my initial full frame dabbling last May was a clear and obvious improvement over the results from the X-T3. And I did see that, particularly in less than ideal lighting conditions. I thought it could have possibly been attributed to not only the full frame sensor, but also the IBIS of the Nikon Z6 II, which the Fuji X-T3 does not have. Naturally, in an effort to preserve my collection of Fuji X glass, I also tried out an X-T5, which was supposed to have tremendous IBIS. But unbeknownst to me at the time (very early May 2023), the still new X-T5 had some known autofocus issues, which would be completely obliterated with a firmware update later that month (after I returned the camera). Had I tried out the X-T5 WITH that update, I may never have decided to go with the Z6 II. In fact, I almost decided not to go with Nikon despite the autofocus issues of the early X-T5 when I took out the Fuji 55-200 to an early evening outdoor music fest in Fort Worth – for Fuji X aficionados, you may recall that this is a lens with OIS, and it absolutely nailed every shot, near and far. The detail it captures and the colors it renders, from any distance, is just hard to believe, especially for a variable aperture telephoto zoom, and as mentioned earlier, single-handedly prevented me from selling off my entire Fuji kit once the decision to go with the Nikon Z was made.

Eight months later, I still own everything I’ve purchased for each system (I added a Tamron 70-300 for the Nikon Z last summer and although I can’t say that its performance is better than the Fuji 55-200 on the Fuji X system, the fact that it is even in the conversation is the highest praise I can give it). I want to buy more for the Nikon, a prime, which is why I’m evaluating the 28 2.8 and the 40 2. I did try out the 50mm 1.8 S when I initially evaluated the Z6 II last May, as it seems to blow the minds of all who review it, but found that the 24-120 F4 S was so crazy good that I could not envision actually packing up that large prime glass often enough to justify its acquisition (the full frame system is just bulkier to pack up and transport than the X gear, so I often only go with the body and the 24-120 that rarely leaves it, as was the case with a trip to Europe last August). However, what these 2.8 and 2.0 primes promise are low (enough) light performance in a pancake profile, as compared to the bulkier 1.8 S primes. Perfect for street or indoors. And I have to say, especially in the case of the 40 F2, they absolutely deliver on that promise.

Shot with X-T3 and 23mm f/1.4 R LM WR

What to do, then? I have a used X-H2 on the way from MPB. I’ll try it out and either pay to ship it back, or keep it and sell the X-T20 and the X-T3 back to MPB to defray some of the cost. It is not an X-T camera, so I cannot yet say what I will think about the controls, the ergonomics. But if it performs significantly better than the X-T3 in low light (I hate to keep carrying on about low light, but I really do quite a bit of shooting inside of museums and old, REALLY old, churches, when I can get to them, not to mention indoor nighttime family shots around the holidays each year), which I am quite certain it will, then I will once again have a decision to make: Fuji, Nikon, or both? I would hate to take the financial hit on selling off my Nikon kit less than a year after purchasing, and I am also embarrassingly intrigued by the new Nikon ZF as well as the upcoming Z6 III. Which makes me lean towards keeping the Z system, at least for now.

The inconvenient truth is, I love both systems; yet when I review images after shoots with one or the other, I am typically treated by the X-T20 (which I admittedly pull out on only the rarest of occasions now) and the X-T3 with quite a few keepers that I instantly fall in love with and share with others, along with a smattering of “what the heck happened with those?” throw aways; with the Nikon shoots, practically every image is solid, usable, good to very good. No extreme loves, and no obvious throw aways. Is this why “pros” are more likely to shoot Nikon, because they are just really unlikely to come away with bad shots? I hate to use words like “sterile” or “clinical,” but those certainly come to mind when I review my Z images. I can give them a bit more of a wow factor in Lightroom, but what’s the fun in that when I can plug my SD card reader straight into the iPhone or iPad, review the JPEGs straight out of camera, and fire them off to whoever needs (as determined by my own impatience to share) to see them in that very moment?

Thank you all for helping me work through this. At the end of the day, “Fuji, Nikon – or both?” seems as far away from resolving as it ever has. And I kind of love that.

REAL Cameras

Source: https://fujifilm-x.com/global/products/cameras/x-h2s/gallery/

No offense, Apple. Or Google. Or any other smartphone maker.

But you are not going to be able to do this with your phone. At least not in the next several years, maybe longer.

The zoom alone is simply not possible with smartphone glass (i.e., the lenses on the phones). Computational photography only takes you so far, and optical zoom is something that requires more than an algorithm can produce. Will phones get there, eventually? I mean, I don’t see it, but when you throw the most brilliant minds and hundreds of billions of dollars at something, it seems that almost anything is possible.

The phone camera wars continue to rage, but in the meantime, I’m thankful for companies like Fujifilm and their astounding camera and lens technologies. I’ve been a proud, passionate owner of a Fujifilm X-T20 since 2018, slowly building up a small stable of lenses, and yesterday they absolutely annihilated the state of the art in the APS-C camera world with the unveiling of their new, flagship X-H2S (a mouthful, I know). Here’s an honest review by someone infinitely more qualified than myself, so you don’t have to take my word for it.

It’s pricey, sure. At $2499 for the body only, it’s far more than most would ever spend on a camera. However, like a pricey, spec’d out Mac Studio ($7999 if you take it all the way to 11), when you need something that will do what that incredible thing will do, you know you’re going to have to spend money for quality. And like an Apple Pro Display XDR, even though it is VERY expensive, it is actually a relative bargain when put up against other things that can achieve similar results.

Well done, Fujifilm.

Posting Via Ulysses with the MacBook Air M1

Beautiful Saturday morning of Memorial Day Weekend 2022, coming to you live from Arlington, Texas. Heading down to see the rest of the Texas Worths at my parents’ lake house, minus my own 2 “kids” (one just graduated from college a few weeks ago, the other with one year to go). Looking like a perfect, 96 degree sunny day, the sunscreen beckons.

Enjoy the break, America, if you are fortunate enough to have it. We’ve all got a lot on our minds, weighing on our souls, but there is no better time than this to hug the ones you’re with.

This WordPress integration with Ulysses is ridiculously intuitive. As is Markdown. Wanted to do a postscript in Italics after clicking the icon to Publish, to pull back and type these words before actually publishing, and rather than look up how to do it, I just hit the clover key on the MacBook and i for Italics. Yup, that was it.

Typing in Ulysses Markdown: iPad Pro M1 vs MacBook Air M1

Incredibly solid keyboard straight out of an old gear storage bin in the closet, no trackpad. I do like this keyboard experience better the MacBook Air, actually – UNEXPECTED!!!

NOW TRYING OUT THE LARGEST HEADING IN MARKDOWN

Doesn’t seem as big onscreen on the iPad Pro as it does on the laptop, I think I like the look on the laptop more.

Also very unexpected!!!

Sitting down to type on the iPad. Love the springy bounce of the keys with the OLD standalone Magic Keyboard (not to be confused with the new Magic Keyboard case built for iPad); no wires, no physically tethered connection of any kind. Heels of my hands resting on the table, while the virtually flat keyboard seems almost a part of the wood upon which it sits; no cold aluminum laptop keyboard deck with a giant trackpad with which to contend. Very comfortable.

Wish the cursor in Ulysses on the iPad was located in the middle of the screen as it is on the Mac version, rather than the bottom of the screen. Surely that’s something I could change, right?

DUDE!! Enabled Typewriter mode in the iPad version and set Fixed Scrolling to Center. We’re doing it!!! (I’m no Ulysses savant, but that doesn’t mean I can’t love it, does it?)

Love the double hashtags for large font in Markdown

Which gets even bigger with single hashtag

triple hashtags result in slightly large and bold compared to normal

Then back to normal.

Display on the MacBook Air is plenty good enough, if not quite as good as the iPad Pro. And the deck of the MBA is so large that it is totally fine for resting my hands on it as I type. I’ve never had a false trackpad touch register, so no issues there.

Every experiment, be it an old SurfaceBook 2, an old iPad Pro 10.5, a new Surface Pro 8 or a new iPad Pro M1, leads to the realization that the new (to me) MBA M1 is totally fine. It’s really all I need, in the final analysis…however, as we all know, left brain “analysis” is only part of the equation. I’m still not convinced that the iPad magic fairy dust, which activates pesky intangible factors such as “feeling” and ”state of mind” and “freedom” and ”new and different” and other blue sky vibes, won’t ultimately win out against all logic. Would not be surprised in the LEAST if that’s how this plays out. But all things considered, in terms of what I intend to do with the machine, the MacBook Air M1 does a little more stuff, a little more like I’m used to doing it, a little nicer than my old devices, a LOT faster and for a LOT longer between charges, all while leaving a little more money in my pocket. The saga continues.

Thoughts on Linux, Mr. Robot, Infosec, and Hidden Reality

It all started long before Mr. Robot.

WarGames, maybe. By then, Atari and Space Invaders had taken over my world, saving quarters by playing video games on the family tv. A friend whose dad was a doctor had a portable computer in a briefcase, monochrome green text, circa 1981 or ’82. But WarGames in 1983 shined a bright light on the possibility of a curious smart kid connecting to, and changing, the whole world from home. You would need a computer, not just a video game console. And a 300 baud modem (faster, if you could get it). But as Matthew Broderick showed, once you had those, anything could happen.

Finding free, as opposed to pay by the time used, phone numbers to call and play text-based video games or search around for a backdoor to NORAD became an obsession, which led nowhere. I didn’t win the games, refusing to cheat with help from friends or spend the amount of time required to figure it all out myself (homework and chores and playing outdoors with friends and riding bikes to malls and sports were also required in order to live); I never found an unguarded entry into the national security complex of the U.S. (or any other nation for that matter). If I had, I would have been too terrified to go in. They might catch you, and if that happened, who knows what they were capable of? The “they” of course being “the government,” always the bad guy in these imagined scenarios. Which government? Soviet? U.S.? Federal? State or local? Something unknown, secret? Didn’t matter. The government was scary and bad; just ask E.T. Or Luke Skywalker.

Probably the closest I ever got to hacking into something I wasn’t necessarily supposed to be in was during freshman year at UT Austin. Almost no one had a computer in their dorm, but I did. Along with a dial-up modem. I noticed something when I was searching through the physical card catalog of one of the university libraries, cluing me in to the fact that an “online” card catalog existed. All I needed to do was find out how to access it. That I did, and once in, was free to look at library holdings from my dorm room.

Looking back, I am certain that anyone would have been allowed to do so, even though it wasn’t publicized as a student resource as far as I knew. But at the time, it felt like I had discovered something secret, something I wasn’t supposed to know, even though it was harmless. And I didn’t like that feeling. I thought, “hey, the library should try to keep people who aren’t supposed to be there OUT! What if somebody DID something?” I didn’t know it, but I was blue team long before the term likely existed.

The aversion to seeing things I’m not supposed to see has never ceased, but the thrill of making something do something other than its stated intention has always remained. Whether it was punching in a sequence of buttons on an early TiVo to display different menus and options, or installing a different OS on my computer, the feeling of doing something that most people would not attempt has an indescribable exhilaration that isn’t accessible on the well-worn path of doing what everyone does. That’s the only thing that explains someone who was attracted to the TRS-80, the Commodore 64, Macs at the time when the company was about to go under, BeOS, Sun Solaris, Windows Phone, and Linux. I wanted what other people didn’t; once Apple and iPhone became dominant in the social conscience, I was no longer interested. If you want me to run the other direction, all you need to do is catch on with the mainstream.

Two things that I’ve discovered over the past 2-3 years are Linux and Mr. Robot. These will NEVER catch on with the masses; they’re too strange, too out there. They require a LOT of open-mindedness and leavings of comfort zones. There are things in Mr. Robot that are just hard to watch, and I wouldn’t, if it were just to glorify them or for some other gratuitous motive. They are part of a reality that is hidden from me, but that nonetheless exists. It’s eye-opening, in the same way that seeking out what is actually happening in, say, Syria is. Americans will never see the full, tragic story, or really any of the story anymore, of what is going on in that part of the world unless they actively seek it out. Isn’t it strange how coverage of Middle East conflicts has completely ceased? Make no mistake, they continue to rage. We just aren’t being shown. It’s uncomfortable, it doesn’t sell. But we need to know, because if we don’t, then we can’t hold anyone accountable for the continuing government atrocities being committed by Syria, Saudi Arabia, and others (there we go with “government = bad” again) or demand change. Which is why eleven years in, nothing has really changed in their civil war, nor in Yemen.

If you’re looking to see how the other half (or 2%) lives, give Linux a try. Choose your fighter: I’ve gone with Ubuntu, the most mainstream of the distros. The one featured most heavily in Mr. Robot is Kali Linux, which comes with tools geared toward people who are accessing networks and systems that they may or may not have the rights to access, or “penetrate,” whether hired by companies as network security testers or for other, more nefarious purposes. If installing a second operating system is too much to ask, try watching Mr. Robot on Amazon Prime Video. And if all else fails, if you REALLY want to open your eyes, do a little online digging and take a look at what’s going on in the Middle East, in Africa, in Asia, wherever. You really have no idea, and that, dear reader, is completely by design.

Living In the Future: Windows Phone, Pixel, and iPhone

My daughter is home from her first semester at college. It’s wonderful to be able to hop in the car and run to Starbucks with her, just like the good ol’ days. Great one-on-one time, no worries, just her and me.

She did the driving this time, and I asked my phone a question about something that we were discussing. She immediately jumped all over me, in a good-natured mocking sort of way, for “talking to my phone,” which “NOBODY does, dad. Except you and two of my friends who always try to talk to Siri and it always fails.” This is a point I have made many times over the past couple of years with my Pixel and Pixel 2 phones: Google users use their voices, iPhone users don’t. Why? For the simple reason that Siri sucks and Google Assistant is great and voice is vastly superior to typing on a tiny glass keyboard (yes, even an XL phone screen is tiny compared to an actual computer keyboard).

This also reminded me of a post I did not write just after Thanksgiving. Walking by a big, printed canvas photo hanging on our wall that was taken in March 2014, I was struck by the memory of having shot it with my Lumia Icon, a Nokia Windows Phone that had an AMAZING 20 megapixel PureView camera with a Zeiss lens. The detail and color on that 16×20 print are spectacular. Again, this was almost 5 full years ago. The phone was white, just like the Pixel 2 I recently sold in exchange for a Pixel 3 XL, and the feel was pleasingly similar to the Pixel 2 in the hand. Along with the camera, the 441ppi 1920 x 1080 AMOLED display was simply stunning (Apple’s newest phone, the XR, has a 326ppi 1792 x 828 LCD for comparison), as was the responsiveness of the entire system. It was a 5-inch screen, an incredible jump in size from the iPhone 4S with Siri that it replaced, and handing it to my iPhone-toting family invariably drew a mix of mocking and disdainful reactions. “You are SO weird, dad!” But then I’d bark out a few Hey Cortana voice commands, and the phone would actually do what I told it to do. Miraculous! And oh, what Microsoft taught the world to do with typography as UI! Apple customers take for granted the use of different font sizes throughout the iOS experience, which replaced gaudy “skeuomorphic” (only die hard Apple devotees, as I once was, would be familiar with such terms) design elements of previous iOS versions. But Microsoft often shows the way for others to follow, thanks to its decades of time, talent, and treasure that have been poured into basic research including anthropological studies by actual Microsoft-employed anthropologists, and that was definitely the case with Windows Phone and its beautiful typography. People’s attention can be wrangled and focused by the simplicity of clean typography with overarching elements being bigger than the ones that can be further drilled down to.

It saddens me to contemplate what so many iPhone users miss out on, just because they have to use what “everyone else” is using. The things being accomplished by Google through software, through artificial intelligence, in computational photography, are insanely next-level, especially compared to Apple’s phone cameras. Most people know that “Google phones are better at low light photography,” but in practice, every time we are out at night, the iPhone users insist that we use my Pixel for the group pics. It is worth going out of the way to find and harass the Google phone guy into taking the picture, rather than anyone using their own iPhone. Which, of course, I am very glad to do, because nothing bothers me more than suffering through embarrassingly bad low-light iPhone photography when a simple year-old Pixel 2 would have made all the difference. The iPhone users are aware of the picture-taking inferiority of their devices, but mostly unaware of the other shortcomings. This is especially true for kids, teens, and college students, but also for run-of-the-mill people who simply don’t care about the latest and greatest. As long as it’s got an Apple logo, they know their star bellied sneetch status remains inviolate. As long as the message bubble is blue and not green, they are safe. As long as they are paying 20% price hikes over last year for the privilege of changes or improvements that are indiscernible to 99% of them, all is well. Yes, I know “trust” and “Google” and blah blah blah. But if anyone believes Apple is not collecting more than is known or suspected by its users, I would venture to guess that they are mistaken. No, it may not be as much as Google. And Facebook is beyond any of this, so I leave them out of the discussion entirely. Even if an iPhone user is giving their money to Apple instead of Google or Samsung or LG, they are still being tracked by every app or website they use on that iPhone, so it really does not matter in the big scheme of user privacy considerations.

What I am talking about is the pure joy of experiencing the latest technological innovations from the greatest technological innovators, Microsoft and Google. I really do wish Windows Phone had survived, because I truly loved the Windows Phone tile-based UI, with the ability to customize both the size and placement of individual app tiles on the screen, something that still cannot be done in either iOS or Android. If this is what we had 5 years ago, what would we have now, if full-fledged development had continued? One can only wonder.

Don’t Try To Make It Something It Isn’t

An IBM PCjr was not a Commodore 64. An iPhone was not a Blackberry. An iPad is not a Mac or a PC. The PCjr, while far more useful than a Commodore 64 for things that were rapidly becoming more important than easily programming sprite graphics in the exact same way it was done on the C64, or using an already-purchased Commodore cassette recorder to save programs, was a bitter pill to swallow for a 14-year old boy who cared nothing about IBM-compatible Okidata dot matrix printers. I didn’t care about writing papers that I could print out for school; I wanted to do what I had taught myself to do, the way I had taught myself to do it, and I needed a C64 for that. Soon enough, however, the capabilities of the PC changed the daily existences of millions, even billions, of people around the world, and the C64 (along with the PCjr) was eventually, inevitably, left for dead.

I also recall years spent in a corporate environment with people who were more obsessed with their Blackberries than any teenager with an iPhone. The thumb-operated physical keyboards blazed away at all hours of the day and night, at desks, during meetings, around the house. Then the iPhone came along, and it had NO KEYBOARD BUTTONS. How IDIOTIC! It may seem hard to fathom for those who did not witness it firsthand, but for a long time, many Blackberry loyalists completely eschewed iPhones. But what the iPhone COULD do, once understood, changed the daily existences of millions, going on billions, of people around the world in the years that followed, once again relegating a beloved technology to the graveyard of gadgets past.

Will the same be able to be written about the iPad vanquishing laptops with desktop OS’s when the annals of tech history are updated at some point in the future? No one can answer that (yet). I can state that I am banging out the letters that form the words which convey these thoughts on an Apple Magic Keyboard paired wirelessly via Bluetooth to a 10.5 inch 2017 iPad Pro, alongside an Apple Pencil which is soon to tap the Publish button in the WordPress interface above and to the right. I have the iPad oriented vertically, in portrait mode, rather than in the traditional pc landscape orientation that is preferred by so many. It is my personal preference to closely replicate the experience of writing in a portrait-oriented pad or notebook, which I am able to freely exercise due to the fact that this is an iPad, not a laptop. The device also affords me the unreasonably delightful experience of slowly flicking the page up and down with the Apple Pencil to linger over what I have written as I write, then to touch the screen with the Pencil tip directly where I want to make a revision, all without having to grasp a mouse and hold buttons down while some primitive, non-True Tone screen featuring Stone Age refresh rates jerkily scrolls up or down as it impatiently waits for a mouse button click to engage a disembodied pointer icon for insertion of a cursor to make a change.

For more than a few iPad users, the choice of device/screen orientation is often removed, dictated by the Apple Smart Keyboards attached to their iPads, forcing the horizontal layout of the screen. Many others simply prefer landscape mode, likely as a subconscious vestige of years of traditional Mac or PC use, or perhaps due to the iPad Pro’s split screen that can be enabled in landscape mode for exceedingly useful multitasking capabilities. In fact, as I sit here typing in portrait mode, contemplating said utility of landscape split screen while I ponder a synonym for the word “beautiful” that I  employed in the preceding paragraph, I just rotated the iPad into landscape and drug a Safari tab over to split the screen and look up a better word than “beautiful.” “Delightful” is much better. There, the change has been made.

And now, after scrolling through my words for one final pass with a screen possessing a buttery smoothness that is still, if you pause to consider it, almost impossible to describe with words, an incomparable experience that is available on no device other than the iPad Pro, I use the Pencil to touch the Publish button.